Piccolo Masterclass with Julie Duncan

In piccolo auditions you have less freedom with expression than with flute. You should practice the piccolo as if it were the flute: scales, arpeggios, etudes, ect. "Make everyone love the piccolo."

Shostakovich: Symphony No. 6

Rossini: Semiramide Overture

Vivaldi: Concerto in A Minor

Les Dellibes: Coppelila